The Grammys
the biggest night in music!
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The 67th Annual Grammys were held this past Sunday. As an ardent music lover, this night is my annual feast, a time to revel in the soundtracks of my life. It’s a celebration, a reflection, and an acknowledgment of the artists who defined the year prior. While I often find myself at odds with the 13,000 members of the Recording Academy, I can’t deny that this evening is ever exciting and one I look forward to. This year, for once, I found myself actually quite happy with the winners.
Before we dive in, I want to highlight some of my favourite looks from the night.
The polka-dotted and silk dress draped across Clairo’s figure was a delicate dream—so unbelievably sweet and charming. The fabric cascaded with a soft, intentional grace. Kote drew inspiration from a photo of Krysten Ritter in a 2005 Vivienne Westwood design and reimagined it into something uniquely theirs. The look captured the ethereal whimsy of Charm, transforming Clairo into a princess.
Olivia, always at ease in a simple, floor-length gown, looked stunning this year. This particular look felt as if it had been designed for her, even if it debuted before she was born—effortlessly sculpting her figure in all the right places. With a daring low-cut front and a bold open back, she exuded a maturity and elegance that left me breathless. It was my favorite look of hers to date.
This JW Anderson look was flirtatious, elegant, and spectacular. The ensemble balanced the sparkle of the spotlight with a sense of playful lightness—every detail, from the heart-shaped train to the homage to What A Way To Go!, tied perfectly to Sabrina’s flirty, romantic, and vintage-inspired style. She wore it like it was her very own magic cloak, letting her personality shimmer through the fabric.
Doechii wore FIVE incredible Thom Browne looks. The collaboration between the artist and the designer felt like a beautifully executed ballet of tradition and experimentation. Thom Browne’s mastery in reimagining menswear aesthetics, mixed with avant-garde proportions, was perfectly brought to life by Doechii’s bold and fearless presence. Each outfit was a sculptural masterpiece. My personal favourite was her ceremony robe à l’anglaise inspired trousers.
While the red-carpet dress was stunning, this creation felt like an extension of her very being. The draping, the beading—it was deconstructed beauty at its finest and most authentic form. Charli commands the messy, grungy, yet undeniably chic look with a raw sensibility that feels uniquely hers. The sunglasses and the Grammy in hand completed the ensemble, sealing the deal.
Gracie Abrams was an ethereal vision in a custom Chanel dress featuring a flowy, romantic veil. Chanel’s signature sophistication met her understated charm in a way that felt natural, not forced. This outfit is classically Gracie: a beautiful minimalist gown with bows, flowers, and all things whimsically feminine. It was a look that drew you in with its quiet beauty, much like her music.
Kendrick Lamar’s double denim ensemble (triple including the hat) was my favourite menswear moment of the night. The Canadian tuxedo felt like a cheeky nod, intentional or not, given his ongoing feud with Torontonian Drake. Beyond the subtext, the look was effortlessly cool—laid-back yet refined. In an industry where men’s fashion is often uninspired, I’ll always celebrate a look that brings a little fun and personality.
Beyoncé
The history-making moment—Beyoncé won Album of the Year for Cowboy Carter. For an artist who has long been defined by her commitment to the album as a cohesive, fully realized work, this win felt momentous. It is, almost unbelievably, her first time winning this category, and she now becomes only the fourth Black woman in history to take home AOTY.
Beyoncé doesn’t just make songs—she makes eras. Cowboy Carter isn’t just an album; it’s a statement. A reclamation. A deliberate rewriting of history in a genre that has systematically erased and excluded Black artists, despite their foundational role in its origins. From the production to the storytelling, it’s an intricate, powerful piece of art, and it was so speical to see it rightfully recognized in the biggest category of the night.
Kendrick Lamar
Kendrick Lamar dominated with “Not Like Us,” winning both Record of the Year and Song of the Year (and scooping up an additional 3 Grammys). This track wasn’t just a diss track—it was a cultural event. It was razor-sharp and surgically executed. And it wasn’t just a takedown—it was a celebration of hip-hop, of West Coast rap, of a genre that has always been about storytelling, skill, and delivering hard truths.
Hip-hop hasn’t always gotten its due respect at the Grammys, but Kendrick winning these top honors felt like a win for the genre as a whole. He’s been pushing boundaries and elevating rap music for over a decade, and seeing this track take center stage felt right.
Chappell Roan
Chappell Roan winning Best New Artist was another highlight of the night. And while the Grammys might call her “new,” those of us who have been following her since “Pink Pony Club” (or earlier) know better. I’ve been a fan since 2022, and watching her meteoric rise from an underground pop darling to a full-fledged star has been incredible. Everytime I see her perform and watch the crowd singing back to her, I am overcome with emotions. Her speech was raw, courageous, and so deeply her. She’s proof that hard work, artistry, and sheer, undeniable talent will eventually break through.
Sabrina Carpenter
Two Grammys for Sabrina Carpenter—long overdue, but oh, so sweet. The phrase “it takes ten years to be an overnight success” has never rung truer. I’ve been following her since Girl Meets World, and seeing her go from Disney Channel to this moment—dominating the stage with charisma, humor, and absolute pop star energy—is so exciting. She’s not just a talented vocalist; she’s a performer. And while she’s been making incredible music for years, this moment feels like her official coronation as the pint-sized pop princess.
Charli xcx
Charli xcx winning multiple awards was another win for me. She has spent her entire career shaping the future of pop music—always one step ahead, always redefining what the genre can be. She’s shaped the sound of pop more than most people realize, and this recognition was long overdue. Charli has never waited for the world to catch up—she’s kept innovating. But now, everyone is listening and bumping that.
Doechii
Doechii’s monumental win for Best Rap Album marked her as only the third woman in history to claim this honor—a testament to her unique artistry and the changing tides within hip-hop. Her music is bold, unpredictable, and utterly distinct—an exploration of lyricism that refuses to conform. She is one of the most compelling artists in the game right now. This Grammy wasn’t just a win for Doechii; it felt like a turning point. The floodgates are open, and Doechii is poised to claim her place at the top.
Conclusion
For the first time in a long while, I have no complaints. Every major winner felt as if they were meant to take home their award. Even when my personal favorites didn’t win, I couldn’t argue with the choices. This was a year where the victories felt meaningful—where the winners’ stories carried weight and significance. We are finally celebrating music, in all its glory, as it should be.